Minimalism and Fashion is the first book to examine the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism, and is accompanied by more than 150 breathtaking ...(展开全部)

Minimalism and Fashion is the first book to examine the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism, and is accompanied by more than 150 breathtaking ...(展开全部)

伊哈布•哈桑（Ihab Hassan，1925—2015）埃及裔美国人，文学评论家，威斯康辛大学密尔沃基校区教授，最早也最为重要的后现代主义研究者之一。两次荣获古根海姆研究基金。代表作有《后现代转向》《当代美国文学》《奥尔菲斯的解体》等。 译者简介 刘象愚，北京师范大学退 休 教授、博士生导师。长期从事比较文学与英美文学的教学与科研工作。著有：《比较文学与比较文化》《比较文学概论》（合著）等；编有《乔伊斯精选集》《爱伦坡精选集》等；译有《文学理论》（合译）、《比较文学与文学理论》《当代文学理论导读》等。

伊哈布•哈桑（Ihab Hassan，1925—2015）埃及裔美国人，文学评论家，威斯康辛大学密尔沃基校区教授，最早也最为重要的后现代主义研究者之一。两次荣获古根海姆研究基金。代表作有《后现代转向》《当代美国文学》《奥尔菲斯的解体》等。 译者简介 刘象愚，北京师范大学退 休 教授、博士生导师。长期从事比较文学与英美文学的教学与科研工作。著有：《比较文学与比较文化》《比较文学概论》（合著）等；编有《乔伊斯精选集》《爱伦坡精选集》等；译有《文学理论》（合译）、《比较文学与文学理论》《当代文学理论导读》等。

Divided into three parts - history, theory and praxis - this book examines the relationship between nihilism and postmodernism in relation to the sublime. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of Enlightenment, is t...(展开全部)

Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences--photography, urban strolling, panorama and diorama entertainments--anticipate contemporary pleasures p...(展开全部)

Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences--photography, urban strolling, panorama and diorama entertainments--anticipate contemporary pleasures p...(展开全部)

When "Adorned in Dreams" was first published in 1985, Angela Carter described the book as 'the best I have read on the subject, bar none'. Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. Wilson delights in the power of fashion to mark out identity or to subvert it and this brand new edition of her book follows recent...(展开全部)

When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress refor...(展开全部)